NEW AGE OF THE NEW AGE

Francesco Lugeri: Hell, Heaven, Garden (An intimate report from the Festival of Total Theatre of the 21st Century)

CONTACTS

Milan Lukeš: Kontakt Narration

MADE IN CZECH: DAUGHTERS & IDIOTS & CO.

Milan Lukeš: Daughters of August Strindberg

Václav Šebesta: Onwards Drama in the Czech Lands

Martin Velíšek: The Alfréd Radok Awards (for the best original play in Czech or Slovak)

Michal Čunderle: „Prince Myshkin is an Idiot and Mr. Morávek too“ (not to mention Raskolnikov)

ATTACK FROM RUSSIAN PROVINCES

Tereza Krčálová: New Russian Playwrights (The Making of Drama from the Spirit of the Provinces)

VILLAINS IN THE THEATRE

Milan Lukeš: Shakespeare’s (?) Villains

MADE IN HUNGARIA: FAIDRA & BACCHAE & MEDEA

Rita Júlia Sebestyén: Perfectly Different Worlds (On Sándor Zsótér’s Antiquity)

THE NIHILIST

Paul I. Trensky: The Irresistible Rise of Martin McDonagh

MADE IN POLAND: TEMPEST & TEMPEST & TEMPEST

Bozena Winnicka: Attract the Attention of the Audience – And Win (On Krzysztof Warlikowski’s Theatre)

I Want To Ask Questions (Interview with Krzysztof Warlikowski)

Marie Reslová: A Storm in a Glass of Human Imagination (On Warlikowski’s Tempest)

DIALOGUES

Martina Černá: The World and Theatre (A Place Where We Live, and a Place Where We Act Out Life)

HYPERMARKET

Miroslav Petříček: The Sleep Of Reason Brings Forth Hypermarkets

MADE IN SLOVAKIA: SISTERS & HELL & DUNES

Josef Fabuš: The Ambiguity of Postmodern Interpretation (Three Sisters in a Museum)

Martina Ulmanová: Nostalgia For Local Hell

Jitka Sloupová: Hot Night Among The Dunes By the Danube

BARBARIANS

Matěj Král: Civilizations, Injustice and Causes of Terrorism (A Few Comments on the Speeches of Mr. George W. Bush)

POST SCRIPTUM

HUBERT KREJČÍ: DEPARTURE OF INSECTS (Drama in Two Acts)